Wade Guyton - http://www.petzel.com/index_guyton2007.htmlDavid and I saw this show and I think we liked it. Guyton is maybe important, I can't tell really, yet. I know I'm keen on his work as I'm keen on Christopher Wool. We both decided that the black plywood floor really made it happen in the show.
Urs Fischer -
http://www.gavinbrown.biz/artists/view/urs-fischerA couple of us saw this show. It is a must! I think it runs til January 19th, 2008. If/when you go to the site you need to click "images". I'll post some of my personal photos here tonight or tomorrow, too, of myself, James Case, and Maggie Dickenson interacting with the space.
Merlin James -
http://sikkemajenkinsco.com/exhibition_merlinjames2.htmlWhether or not we talked about this show I'm not certain. It's good. Maybe you have to be a painter-nerd to totally get into it. Merlin taught at Cooper my last year there and I tried to set up a studio visit with him and he was 2 hours late and came by the next day apologizing but I said I didn't need the visit anymore. That was probably stupid. These paintings make me kind of sad, like there's no hope in the world but maybe just a little hope.
Two shows at the met worth seeing before they close -
Rembrandt and Friends,
TapestriesThe Rembrandt show = amazing, a must see.
Tapestries of the Baroque is really really really compelling. They're just so weird. Who would think to make these? What a pain in the ass, right? Well they're all pretty amazing and beautiful and old and important. What impressed me most was their scale. Sometimes I think I understand scale and what it means and why it's used and for what reasons ... then I see something like this show and I'm just like "shit. Those are big and powerful."
There was also a lot of discussion about music last night and, well, I don't know anything about music beyond my own personal taste which, so I've been told, is awful.
Happy blogging,
Matt